Ecuador

For the duration of March, Natalia and I took the opportunity to make our way down to Ecuador (where Natalia is from), to visit her family and travel around the country. While Ecuador is considered a small country in relation to its physical size, it varies drastically in regards what the land has to offer. Go one way and your in the Andes mountain range standing on Volcanoes (with air so thin, locals say your heart can explode), exploring busy Spanish colonial cities with un-believable Baroque architecture, and are constantly taking in beautiful mountain views. Travel another way, and you find yourself completely immersed in the Amazon Jungle where the bars on your phone are non existent, the bathroom in your hut is shared with bats/insects/frogs/tarantulas, and the local indigenous people teach you how to make Yukka bread - from root to plate. Lastly, head another direction and you'll end up at the Galapagos Islands where your learn about the legacy of Charles Darwin, scuba dive in volcanic reefs with an infinite variety of sharks/manta rays/octopus'/seals, hang out with turtles two centuries old, and ultimately eat dinner with fish so fresh it may as well  be alive. 

Below is a collection of photographs that I made over the course of our time spent travelling through Ecuador. These images take you on our journey and provide some visual's to go along with my short write up above. The first section of photographs are all taken with Fuji Instant film - and the second section of images are all shot of 35mm film. Thank you to Katherine Phipps and Lomography for collaborating on creating creating this project with me and supplying all the materials - much appreciated. 

Counting down the days till I go back. 

*Click on the images to enlarge*



BTS - My Right Hand

Well, it's not actually my right hand, but this will suffice.

Over time, I have begun to realize how much process is overlooked with a lot of the work I create, so I have recently been inspired to create short, and very simple, time lapses of me working. I have decided to make these videos because not only do I find it interesting to see how a final product comes together, but allows me to look back and critique what I was doing at any given time... everything from what paint I decided to use, all the way to how I chose my lighting set up to ultimately capture the final image. They allow me to learn, get inspired, and create new and well informed work in the future.  

Thank's for reading - Here is the picture below, followed by the time lapse process video.


Hand Edit 1.jpg

BTS - Shane Arsenault 2017 Promo Mailer

Here is the final product for my 2017 Mailer Promo - over the course of a couple months, I partnered with local graphic designer, Fran Motta, to create a well conceptualized booklet to send out to agencies, magazines, and companies of the like to make new friends and connections in the city. The main concept of the promo, "Let's build something together.", is displayed below, but the end product also contains a total of 20 hand selected images from my portfolio to create the small packaged booklet. Creating this booklet has been so much fun, and I already have plans for my next mailer to come out in September. 

90% of the photographs I make are made in camera, so I have begun to create short time lapse video's of me working in order to show what happens behind the scenes and how I come to a final photograph - they are really fun to watch. 

I hope you enjoy this post. 

S.

(*click images to enlarge*)


Promo Photograph.jpg

Resolve Photo - A Day In The Life

Recently I was hired by Calgary based print shop, Resolve Photo, to come in to document a day in the life of what goes on in their shop. The final photographs of this shoot are to engage audience through their Social media outlets, as well as supporting documentation for their website. This is Calgary's finest print shop - visit their website @ www.resolvephoto.ca

These are some hand selected images from the shoot.


BTS - The Making of a 16x20 inch Bellows Camera (with pictures)

Starting back in May of 2014, I finally put my first foot forward in the making of a 16x20 inch bellows camera. The idea to build a camera was nothing new to me, but I was always hesitant to begin construction since I am the type of person that prefers to work off a set of blue prints and directions. Unfortunately, since my drawing skills aren't amazing, it was pretty difficult to visualize and plan a solid blueprint of the project - which ultimately forced me to bite the bullet and simply begin construction of the camera and problem solve along the way. 

Before building the camera, I did set out to make an outline of what I wanted the camera to achieve and be used for. For example; I knew that it needed to have a full range of motion as most Large Format Cameras (tilt, shift, swing, rise, fall), exceptional bellow draw to allow me to get close to subjects, and utmost, to look professional. With these goals in mind, I would be able to make a camera that can be used for all sorts of subject matter and situations. 

From then until now: the construction of the camera is complete, I have run multiple tests in studio with the camera, and have shot a small series of six portraits (which can be viewed at the end of this post or on the opening page of my website under "Obscura"). 

During the process of building the camera all the way to the small series I have created, I have made a point of documenting what I have done in order to create a short visual essay to share the process with you all. Here we go!


Left Image - I needed to have some sort of foundation in order to start construction. I chose to start building the film (paper) back. By starting with the film back, this allowed to make all the proper measurements that I needed in order to complete the rest of the camera. 

Right Image - Here you can see where I used a router to make a space large enough to fit a piece of 16"X20" light sensitive material. Its depth is deep enough to fit everything from paper to film to 3mm tin or glass. What is being clamped down is an 1/8th inch piece of MDF; once the top piece of wood (in the background of the image) is fitted on top of the MDF, there would be enough space for a dark slide to fit in to keep the film safe from light. 

 

Left Image - Clamping the top piece of the film back. The colour of the wood is darker now since I chose to do a quick layer of stain to make sure all the hard to reach (stain) places would have some sort of protective coating. 

Right Image - Once the top piece of the back was fitted, I proceeded to add a few strips of pine around the edges to cover up all the layers of wood and MDF, and ultimately give it a cleaner and more professional feel. Once everything was in place, I then sanded down all sides of the film back to make sure there were no protruding edges and to make sure it looked like one unified piece of wood. With the exception of the dark slide and a stain job, the film back is done!

 

Left Image - Now that the film back is complete, I was able to take all my necessary measurement from it, and start construction on the actual camera. Simply, I needed to start construction of building a light tight box that could hold a film back + ground glass back, and hold a lens to project the images. Here I started building the back of the camera. I needed to build a box that would allow me to slide in and out my film holder, and the ground glass back - once that was built, I could proceed to the next steps. 

Three Right Images - With the frame built for the sliding backs, all I had to do was build around it. While doing this, I needed to make sure that I provided sufficient space for my bellows to attach on the inside of the camera (seen in picture 2), and to make sure that I made everything large enough so that the back of the camera could stand and support itself. I provided multiple shots so you can get a better idea. 

 

These are a couple more images showing how the back would function. 

 

Now that the film back and the back of the camera were fully built - the rest of the construction was easy, all I had to do were take all the measurements from the parts that I already built, and re-apply them to make the front of the camera and make the ground glass back. In these two pictures you can see what the front element of the camera is going to look like. Directly in the centre of the front box is where the lens will  be placed. 

 

Left Image - Here you can see me routing the hole in the front of the camera where my lens is going to be mounted. 

Right Image - All pieces of the camera are fully finished (including the ground glass back, which I haven't shown)! With the help of my friends, we added a couple coats of stain to the entirety of the camera, and once dry, varnished the whole thing for a nice finished matt look. All that is now left to do is mount the lens and attach the bellows. 

 

Left Image - After a long search of which lens to use that would have an image circle large enough to cover 16"X20", I ended up purchasing a vintage 19.75 inch (502mm) F10 Kodak Anastigmat lens. 

Right Image - This is a full view of the camera when it is closed. 

 

Left Image - Here is a view of the camera when it is extended. Since the bellows were much to complicated to me to construct by hand, I ended up getting them custom made by a fellow in Hong Kong where he hand made them using reinforced vinyl. Furthermore, I got a local custom leather shop (Odessa Goods) to create simple leather handles for my film and ground glass back - this made it easy to insert and remove the backs as needed. 

Right Image - Me talking to Olga Chagaoutdinova about the process of building the camera and what I plan on using it for. 

 

Here is a proper shot featuring the camera, me beside it for scale. 

 

Left Image - The very first negative made with the camera. You can tell by the look on my face I am pretty excited! 

Right Image - This is the first negative that I chose to go on and make a contact print with in the darkroom. Below you will see the final product. 

 

Here is the very first print I made using the above negative. I am using RC paper to create paper negatives of my subjects, which I then go on to make a contact print in the darkroom that gives me a positive. In this particular case, I used a 20"X24" piece of RC paper to make my contact print.

Since the ASA (ISO) of this paper is around 2, during the shoot, I use hot lamps to allow me to focus on my subject, then proceed to use a Profoto D4 pack with one light at full power to provide me enough light for an instant exposure. The results could not have been better. 

 

From left to right, you can see me focusing the camera onto my subject, then loading the film back, and finally lifting up the dark slide in order to make my exposure. Its funny to think sometimes that to operate the camera I must use a table as a tripod, a stool to stand higher than the camera, and an assistant to operate the manual shutter (simply taking the lens cap on and off). If you look closely on the middle shot just to the left of my feet, you can see the ground glass back I use to focus my images. 

These particular images taken of me was during a shoot where I photographed 6 people through the course of an entire day. All of my subjects were influential photographers within the photographic industry and have mentored me throughout my own photographic journey. Below is the body of work that I have produced so far (Click on the images to see them at full size - or view them in my portfolio). 

 


I would like to thank everyone who have helped me throughout this process, it has been a great journey so far, but I must recognize that it is only the beginning! Huge thanks to Natalia Barberis and Shuo Le in helping me through the current course of this project - they played a huge role in testing the camera, operating it and processing the negatives and prints in the darkroom, I couldn't have done it without them. Lastly, to all the people that have sat in front of the camera: Sylvain Beaudry, George Webber, Craig Richards, Hutch, Cathy Simone, Francis A Willey and Sanja Lukac - you all were the crutch to making this project possible. 

If anyone has any further questions or would like some more details about this project, please don't hesitate to comment or contact me personally, I want to share it with as many people as possible.